Sunday, June 25, 2017
Thursday, June 22, 2017
Tuesday, June 20, 2017
No way in hell I'm trying to translate the writing on the back of this print. The hand writing is so bad that I doubt even someone from Germany could be sure of what's scrawled here. Well, I can make out 1964, so that's something. I did run a search on the printer's stamp. Linder Platz came up as a main shopping street in Hanover in Lower Saxony.
Sunday, June 18, 2017
As can be seen on the full album page, this one is dated "Jan.- 1944." I've actually written about this before, but here it goes again. During World War 2, millions of young American men were in the service. There were women in the military, of course, but their numbers were far fewer. In other words, there were millions of American women, on the home front, with no male companionship. When I find pictures from the war years, especially mid 43 through late 45, I'm never surprised when there aren't any young men in the photos.
There are no pictures on the back of this page, but it's labeled "Dearborn-Sept-'43." I've known about Dearborn, Michigan for years, but I have to admit, I've always assumed it was Deerborn. I figured some early pioneer had founded the city where he had seen a doe and her fawn. Well actually, I never thought about it all, but I did think it was Deerborn. It turns out the city was named after Revolutionary War General Henry Dearborn. Who knew?
Click on The Here There and Everywhere Collection in labels to see more photos and for information on the lot.
Saturday, June 17, 2017
Wow, the stick-pin, tie and the facial hair. If I was picking a stereotypical image of the southern gentleman, pining for his grandfather's slaves to bring him a julep, this would be the photo. Not a good look.
Click on The Here There and Everywhere Collection in labels to get background on the lot. Also, it saves me from typing for the next ten minutes.
Still a lot to go, but not in the near future.
Friday, June 16, 2017
There's no way in hell that I'm going to try and make out what's on the back of this card, so I'm breaking protocol and posting it. Besides, I like the Arabic lettering. .
This is the last of my Egyptian postcards, at least until I find some more. This one was published by Lichtenstern & Harari. Joseph Max Lichtenstern was an Austrian photographer who moved from Vienna to Cairo in 1893. Starting in 1899, he began publishing postcards of his photographs as The Cairo Postcard Trust. Two years latter, in 1901, he partnered with David Harari. They expanded into general publishing and also import and export. In 1912, the partnership dissolved after Harari decided to move on. The company was sold to Max Rudman. Lichtenstern stayed on in Cairo. He returned to Austria for a vacation in 1914, was trapped in the country by World War 1, and served in the Austro-Hungarian Army for the duration.
Just a quick, and vastly simplified, historical note. In the mid nineteenth century, Egypt was part of the Ottoman Empire. After the construction of the Suez Canal, the British more or less manufactured an incident (And this is the simplified part. There are a a lot of very good books out there for people who wish to follow up. And no, Wikipedia isn't a good source.) that allowed them to seize Egypt and control the canal. When the Ottomans tried to take it back in World War 1, the British allied themselves with the Arab revolt. Lawrence of Arabia, anyone? After the war, they betrayed their Arab allies by making a secret deal with the French, The Sykes Picot Agreement, that divided Arab lands from the Mediterranean to modern day Iraq between them. So no, Virginia, it's less about religion and more about the legacy of imperialism. The gift that keeps on giving.
Wednesday, June 14, 2017
Or tombs of the Caliphs if you prefer.
Anyway, this one was actually sent to someone, "Mrs A. B. Hildritt, 400 West 10 Street, Newton, Kansas, U.S.A." And the message, "March 8th 1908. My dear Mis Hildritt. This mosque of Amr owes its name to the general of the Caliph Amar. There mosques & tombs were once provided mitt numerous staff of sheikhs. during certain festivals reletives of the deceased visit & pray for there souls. M. Walkentin"
I have used the spelling and punctuation found on the card. Note mitt for with, so probably the sender was originally from Germany. Fun fact, go on to a movie set, and if the director wants to film something without sound, he or she will say it's MOS. German film makers working during the early sound era in Hollywood would say "Mitt out sound," which became MOS.
Monday, June 12, 2017
Yesterday's post was of The Blue Mosque, seen on the right of this postcard. On the left, The Citadel of Saladin, or if you prefer the correct version, Salah al-Din. Anyway, he built the citadel to defend Cairo from the crusaders. Started in 1176, finished in 1183. He also started a wall meant to surround Cairo, but it took to 1238 to finish that bit of fortification. For anyone interested, I just posted a painting by Louis Comfort Tiffany, (Yes, the stained glass guy.) of The Citadel on my Fair Use blog.
Credited to "The Cairo Postcard Trust," this card was never used.
Actually, there is more than one Blue Mosque. The one in Cairo is also known as The Aqsungur Mosque, named for it's builder, Emir ad-Din Aqsunqur. It was built in 1347, around the mausoleum of Sultan al-Ashraf Kujuk. It was restored in 1652, when blue and green tiles were added to it's exterior. In 1908, the Comite de Conservation des Monuments de art Arabe, obviously a French arts organization, did another restoration on the building. And finally, in 1992, after an earthquake, there was yet another restoration. And at 670 years old, I think we can expect a few more rebuilds.
For the record, the design is an open courtyard, surrounded by four arcades. It has five doemes and a minaret. And that tower in the background is The Citadel of Saladin.
This card was sent to "Mrs. R.M. Dennis, P.O. Box 183, Coscob, Conn USA." And the message, "Cairo, Have Gotten this far around the world. Regards."
Friday, June 9, 2017
Not very lucky, considering he's dead, stuffed, and mounted on a wall. This is another one from the studio of Lehnert & Landrock, so navigate back one post for some biographical info on the pair. This card was used, and the message is, "Hello all. Hope you & Pop are still well. Joe" Mailed to "Mr. Al Sweede, 168 West 98th St., New York City, U.S.A." Hey, when it's New York City, you don't need the state. The postmark is smeared, so no date.
Thursday, June 8, 2017
Yet another unused card, credited to "Lehnert & Landrock, Cairo" I've actually been able to find some info on this pair. Rudolf Franz Lehnart and Ernst Heinrich Landrock were a pair of Austrian born photographers who met each other in Switzerland in 1904. The two formed a partnership in Tunis, where Landrock had taken a series of photographs, which lasted until 1914, when they were interred by the French as enemy aliens, at the beginning of World War 1. Their large collection of glass plate negatives were also seized.
They didn't meet up again until 1920. With the dissolution of Austria-Hungary, Landrock found himself a citizen of the new nation of Czechoslovakia, an ally of France, which allowed him to get the partner's negatives returned to him. Lehnert had returned to Tunis where he photographed nudes for Jouret Studio. They formed a new partnership, in Cairo,in 1924, where they published postcards from their photographs. Lehnert sold out his half of the business to Landrock in 1930. In 1939, fearing another internment, Landrock left for Germany. He left the business under the management of his Swiss born nephew, Kurk Lambelit. It's believed that the majority of the negatives from the partnership was destroyed by allied bombing, in Germany, during World War 2.
Lehnert & Landrock is still in business, in Cairo, as a publisher of guide books.
Wednesday, June 7, 2017
Yet another unused postcard from Egypt, credited to "B. LIVADAS & COUTSICOS-CAIRO." I couldn't find anything about these photographers,on line, but was able to find plenty of examples of their work, including this one, which is part of the collection from The Boston Museum of Fine Arts. It's listed as a collotype, date unknown. And once again, blogger doesn't recognize an archaic photographic process as a real word.
Monday, June 5, 2017
It didn't take long to figure out that chadoufs is French for shadoofs, which is a phonetic spelling from the Arabic. A shadoof is the mechanism pictured, not the people. Basically it's a wooden stand, a rope, and a bucket that's used to move water from one place to another for irrigation. This card was never sent and was published by "The Cairo Postcard Trust-Cairo."
Saturday, June 3, 2017
I've been picking up Egyptian postcards for a few years now, and I think it's about time to start posting them. I'm breaking my usual practice of not publishing the backs of cards because I like the Arabic script, and because I'm too tired to try and decipher the hand writing. And yes, it is Egypt. Le Caire means Cairo.
Wednesday, May 31, 2017
There was one of these in the local diner in my home town. It was next to the restrooms and it cost a penny. That is it did when it worked. The people who owned this one were smart enough to put it next to a picnic ground. I guess the American obsession with weight is nothing new.
Saturday, May 27, 2017
The Stanley Cup finals begin next week. I was born in a small town 50 miles from downtown Pittsburgh, and I'll be rooting for the Penguins. This photo is labeled, "The Springfield Indians, Springfield, Mass." The Indians played in the AHL from 1954 to 1967, and won the Calder Cup three years in a row. The 1959-60, 1960-61, and 1961-62 seasons. I've been going through club photos, and I think this one is from the 60-61 season, said to be the greatest team in league history. I'm not 100% certain, but I think number 2 in the second row is Ken Schinkel, who went on to play, and coach the Pittsburgh Penguins.
So, you read it here first, Pens in 6. Sorry Nashville.
Friday, May 26, 2017
Thursday, May 25, 2017
Written on the back, "Taken at the Continental Divide." Those of us of a certain age can remember when it was possible to travel the country, going from one roadside zoo to another. Most of them were pretty much like the one in this photo. Wooden pens, dirty, and way too small for the animals being exhibited.
Saturday, May 20, 2017
Friday, May 19, 2017
So, the war's over, the men are back, and the women have left their wartime work and wait at home, in the suburbs, for their husbands to come home. Just like a John Cheever story.
Murray Hill is a town in New Jersey, and it's connected to New York City by train. No doubt this lady's husband got on the morning train to Hoboken, got the ferry to Manhattan and worked in an office. Then, at the end of the day it was back to Murray Hill, a martini and the perfect children. At least that's the stereotype.
This post is the back side of yesterday's entry. Click on The Here There and Everywhere Collection in labels to see other images.
Thursday, May 18, 2017
So, I bought an envelope full of photos that the dealer told me came from an estate sale, and are all related. As I've noted from the first post, I have my doubts. For more details, click on the Here There and Everywhere Collection in labels for more details, and to see other parts of the collection.
Say suburbia, and most people think of the fifties and the post war housing boom. I don't have a date on this album page, but forties or fifties is a definite possibility. Note the Popular Science magazine in the rack next to the couch in the first photo. The magazine wasn't aimed at scientists, but it's readership was mostly people with a bit better education than the general public.
Wednesday, May 17, 2017
I found this photo in the same box as the photos from the shoe lady series, it's the same format, same era, and same type of paper. I'm guessing that this guy was her photographer, although, of course, there's no way I can verify that. The Pride of the Yankees, from the movie theater marquee in the background, dates this photo to 1942. Too, the camera looks like a Busch Pressman, a great camera. Click on Shoe Lady in labels to see what I've found so far.
Sunday, May 14, 2017
Monday, May 8, 2017
It's not often that I get to post something with an exact date, but I can with this one. The Alcoa Pennant was launched on June 6, 1941. She was built by Consolidated Steel at their shipyards in Wilmington, California. The ship was built for The Alcoa Steamship Company and was supposed to transport bauxite, but World War 2 changed all that. After completion, including the addition of deck guns, on January 26, 1942, the Alcoa Pennant was put on indefinite charter by the U.S. Navy, and despite her slow speed, and time spent in war zones, manged to survive the conflict. She was scrapped in Mobile, Alabama in May, 1965.
Thursday, May 4, 2017
From the same page as the last post, just the other side. Since there was only one photo on the page, I didn't see the need to show position. Click on The Here There and Everywhere Collection in labels to see more.
Wednesday, May 3, 2017
In a nutshell, I bought an envelope of photographs, and was told they all came from an estate sale. Maybe they did, maybe they didn't. In any case, click on The Here There and Everywhere Collection in labels for more info and to see other parts of the collection. It'll be awhile before it all gets posted.
So, why the title? Well, take a close look at the top photo, and you can see sprinklers watering something, and in the bottom, kids are slurping away at a water fountain while the bespectacled adult looks into the camera. This album page must have come from an upper middle class family, at least. How many working class people put their sons in such fancy clothes?